In Indian music, the Sargam system corresponds to the
European Solfege system's names of the notes.
Here
is a chart which shows the names of the degrees of
the Bilawal 'That' [parent scale] in Sargam and
the
corresponding names of the degrees of the major scale
in Solfege :
1. Sadhjya abbreviated as Sa corresponds to Do
2. Reshab abbreviated as Re corresponds to Re
3. Gandhar abbreviated as Ga corresponds to Mi
4. Madhyam abbreviated as Ma corresponds to Fa
5. Pancham abbreviated as Pa corresponds to So
6. Dhaivat abbreviated as Dha corresponds to La
7. Nishad abbreviated as Ni corresponds to Ti
A line below the note lowers the note by a half -
step .
This is known as a Komal swar :
A vertical line above the note raises the note
by a half - step :.
This is known as Tivra Ma.
A dot below the note means the note is in the
register below middle Sa :
A dot above the note means the note is in the
register above middle Sa :
The
above chart shows the basic fingerings for the bansuri.
This is for the Kalyan 'That', which corresponds to
the Lydian mode in European music. [A major scale
with the fourth degree raised by a half - step.]
Sa [Do] is played with the first three finger holes
closed.
On a bansuri with seven holes [as shown above] Tivra
Ma [] in the middle and upper octave
can be fingered with all the finger holes closed or
with all the finger holes open [in the higher
octave
the first finger hole is uncovered].
Shuddh [lit.= pure] Ma [the unraised fourth degree]
and all other flattened notes [komal Re, komal Ga,
komal Dha and komal Ni] are played by uncovering the
necessary portion of the finger hole.
For a printable Adobe Acrobat PDF Format
Version of these instructions.